IMG_7215

A Binding Spell: Book Arts has Begun!

Over the summer semester, a group of students will be participating in the third annual Book Arts Summer Intensive course. In a little over a month, the students will be learning a variety of book-related skills including: binding, sewing, paper making and more.

With such a short amount of time to learn and develop, the students were almost immediately tasked with creating small, “fall apart books,” which consist of an accordion-like text block and a no-glue approach to book assembly. Tasked with creating two books by next class, the students eagerly went to work.

The results were diverse and fun and beautiful.

IMG_7230 IMG_7241 IMG_7253 IMG_7269

With the inaugural project out of the way, everyone was ready to dive headfirst into a month of madness and magic. Keep posted for more stories about Southern Virginia’s summer art classes!

IMG_7257 IMG_7258 IMG_7263 IMG_7264

IMG_6793 - Version 2

Senior Spotlight: Serena Call

Art Blog: What are you doing for senior show?

Serena Call: I am painting the Washington D.C. Temple, and surrounding landscape, using Oils and Acrylics.

IMG_6743

AB: What inspired you to choose that subject and medium?

SC: I realized that I’d be spending most of my time this semester working on my senior art show projects. I really wanted to work on something that was meaningful to me and would be something that I’d want hanging in my home in the future. I grew up here in Buena Vista, and Buena Vista is part of the Washington D.C. Temple district. I love the Temple and all that it signifies and represents in my faith, and the D.C. Temple in particular is special to me because that was the temple I’d always been preparing to go to. Just last year I was sealed there to my husband. So, needless to say, the Washington D.C. Temple is very meaningful to me.
Now, there are lots of paintings of temples out there, but I wanted to do paintings that were a little different. Most of the paintings try to be “photo realistic” and therefore, in my opinion, end up being really boring. Why not just take a photograph? I decided I wanted to do vibrant, colorful, impressionistic paintings of the temple and surrounding landscape. I chose to paint in Oil Colors specifically because I love painting with a palette knife and using texture in my paintings.

IMG_6758

AB: Have different artists or people influenced you and your work?

SC: Leonid Afremov, a modern impressionist painter, has inspired me a lot. I love his use of vibrant colors and textures and I definitely have incorporated those aspects into my work since discovering him. Van Gogh, famous for his post impressionist paintings, has also inspired my work. He uses vibrant colors and planned patterns and brush strokes to make beautiful and expressive works of art.

IMG_6750 IMG_6749

AB: How and when did you choose to become an art major? Have you known since the beginning or was it a change?

SC: I really didn’t know what I wanted to do when I first came to SVU. I knew that I loved art, but I was also interested in a lot of different things as well. However, after having a few art classes here, I decided that I would at least double major in Art. I was planning on double majoring in Family and Child Development (FCD) and Art, but last year I got married and realized that I probably only had time to focus on one major. So, I ultimately made the decision to major in Art and minor in FCD at the beginning of my senior year.

IMG_6751

AB: What’s the most important lesson you’ve learned here in the Southern Virginia Art Program?

SC: That’s a tough question. I feel like I’ve learned a lot being here in the SVU Art Program. It’s hard not to when we have such wonderful professors who have the unique opportunity to really work one on one with students. I guess one important lesson I’ve learned here is that to really improve you need to go above and beyond. Making sure that you do your best on every assignment and putting in more work and time than is required of you in each class. Making more art and practicing more is truly the way to improve and to do so faster.

IMG_6754

AB: Do you listen to music when you work? If so, who?

SC: Sometimes I do. I’ll listen to Muse, Mika, Lana Del Rey, and many other artists. I’ll often listen to an LDS General Conference talk or CES Fireside talk as well.

AB: What advice would you give lower classman who are working towards senior show?

SC: Start thinking about it now! The sooner, you decide what you’re going to do and how you’re going to do it, the better. Then, once the time comes around to start working on Senior Show, you can start right away rather than stressing about everything.

IMG_1011

Class Adventures: A Peek into the Archives

After first arriving at Southern Virginia several years ago, Doug Himes was astounded at how many of his art students had never made the journey north to visit the National Gallery of Art, one the single greatest art collections in the world. From then on, he promised to make sure each and every student had the opportunity to walk through its halls and admire its vast spectrum of works — from ancient to contemporary.

IMG_4294

This last Friday, Himes’ advanced drawing and printmaking classes, a group of seasoned gallery veterans, were given the opportunity to not only walk the halls of the Smithsonian, but to venture into the elusive print studies room. There, they were able to see and study the works of artistic giants like Vincent Van Gogh, Pablo Picasso, M.C. Escher and Albrecht Dürer. And the best part? No crowds and no glass. Students literally had inches between them and the different pieces.

IMG_4205 IMG_4237

“I couldn’t resist admiring the finesse and skill in which these masters created their pieces,” expressed Taelor Worthington, a junior and art major at Southern Virginia.

IMG_4255

IMG_4240

“There’s an honesty and a sense of trust that comes from being able to see a work up close and personal,” said Ben Patty, a senior and fellow art major. “When you see the pen strokes on the original, you realize the artist’s abilities were far more incredible than you had imagined. You can feel the emotion and trust that nothing has changed since they put the pen down. Honestly, after seeing them in person, it felt wrong to go back and look at a copy.”

IMG_4251

“After that experience, I now realize I would rather spend an entire day in a room with a few pieces of art — really be able to study them and understand what the artist was thinking and trying to convey — than walk a whole museum.”

IMG_4289

Photography by Serena Call, a senior and art major at Southern Virginia University. 

Florence-Duomo-Nov07-RAW4827AR900

Artists & Architects: Filippo Brunelleschi

martyn10/hulton/people7/10Heralded as the father of modern architecture, Filippo Brunelleschi stands as one of the single most influential figures in the history of both art and architecture.

Born in Florence during the Italian renaissance, Brunelleschi began his journey as a goldsmith and sculptor. In 1401, he competed against five other artists for a prestigious commission: the bronze doors of the Florence baptistry. After making  it to the final two, Brunelleschi lost to his arch nemesis, Ghiberti.

The two trefoils below are his (right) and Ghiberti’s (left) competition entries. The were both challenged to create an engaging and articulate depiction of The Sacrifice of Iasaac.
comparison

Enraged and dismayed, Brunelleschi then travelled to Rome with his friend and fellow artist, Donatello, to study the buildings of antiquity. There he discovered a love and talent.

Later, he returned to Florence and won the competition to construct the dome for Florence’s cathedral, the result of which would become one of his most notable accomplishments.

His other major accomplishment was born out of his study of architecture, but became a revolutionizing tool for artists of all mediums. Brunelleschi created a mathematical grid that allowed painters and other masters to create realistic representations of reality.

perspective

His understanding of architecture and perspective allowed artists to create paintings and spaces more incredible than ever.

If you’d like to read more, here are some links:

http://www.biography.com/people/filippo-brunelleschi-9229632?page=1
http://www.pbs.org/empires/medici/renaissance/brunelleschi.html
http://www.fordham.edu/halsall/basis/vasari/vasari5.htm

(Post by Erin Seage ’16. Photos by http://www.paradoxplace.com & http://www.edwardsmiddleschoolmanga.blogspot.com)